Old St. Mary's Roman Catholic Church
Detroit, MI, Opus 12, 1990
Old St. Mary's parish was founded in 1834. The current building was designed by parishioner Peter Dederichs and completed in 1885. The previous building's organ was used until it was replaced by an instrument by Kilgen, of St Louis, MO. This was a large three-manual, which served well until the 1970s. At that time it was rebuilt, using what turned out to be an unsuccessful replacement for traditional pouch leather. The new actions used a polyurethane membrane, and they began failing within a few short years. By the time we surveyed the organ in the 1983 or so, you needed to couple everything together to get most notes on the Great.
We briefly considered a rebuild using some of the existing pipework, but it soon appeared that it would be one of those "oil and water" mixes. We proposed a totally new instrument with mechanical action, which would guarantee a long life.
The church desired to leave the St. Joseph window at least somewhat exposed, as the Kilgen fa├žade had done. We decided that a French-style case with the smallest tower in the center would frame the window nicely. After an exhaustive study of French organ cases, especially the late 18th-century cases by Riepp at Dole and Dijon, we submitted a design that seemed to be at home in the large Romanesque room.
We modified the gallery rail and built the Positif first, along with the terraced console. After a year so into the project, the Positif was already showing itself to be an admirable division for leading congregational singing, although it was a little unusual to have as the only pedal stop at that time the 32' Contre Bourdon!
The main case, which stands 34 feet tall above the gallery floor, houses the Swell division in the center, flanked by the divided Great division. Then the divided Pedal division is in the large outer towers. The tin Trompette en chamade is mounted below the Swell. The center tower in the main case is exactly the same size as the outer Positif towers, visually tying the two cases together.
This organ is responsible for our venture into milling our own lumber. At that time, it was more difficult to find quartersawn white oak in large matched sizes. This traditional casework with wide panels made us look into other options for obtaining quality lumber. We felled all of the trees, and with the use of our two-man chainsaw mill and portable bandmills, produced all the lumber for this organ (and several subsequent ones). The beautiful walnut pipeshades were carved by the Georg Keilhofer studio of Frankenmuth, Michigan.
The pipework was built to our specifications by shops in Germany and England. The key action is all mechanical. The stop action for the Positif is electric, while the stop actions in the main case are electropneumatic.
STOPLIST
Great (58 notes - Manual II):
 16'      Montre                     58 pipes  metal
  8'      Principal                  58 pipes  metal
  8'      Flûte Harmonique           46 pipes  metal
  8'      Flûte à Cheminée           58 pipes  metal
  8'      Gambe                      58 pipes  metal
  4'      Prestant                   58 pipes  metal
  4'      Flûte Conique              58 pipes  metal
  2-2/3'  Quinte                     58 pipes  metal
  2'      Doublette                  58 pipes  metal
  IV      Fourniture (1 1/3')       232 pipes  metal
  III     Cymbale (1/2')            174 pipes  metal
  V       Cornet 	            230 pipes  metal
 16'      Bombarde		     58 pipes  metal
  8'      Trompette                  58 pipes  metal
  4'      Clairon                    72 pipes  metal
          Tremulant
Positif (58 notes - Manual I):
  8'      Montre                     58 pipes  metal
  8'      Bourdon                    58 pipes  wood
  4'      Prestant                   58 pipes  metal
  4'      Flûte à Fuseau             58 pipes  metal
  2'      Cor de Chamois             58 pipes  metal
  1-1/3'  Petite Quinte              58 pipes  metal
  IV      Cymbale IV (1')           232 pipes  metal
  II      Sesquialtera               92 pipes  metal
 16'      Douçaine                   58 pipes  metal
  8'      Cromorne                   58 pipes  metal
  8'      Trompette en chamade       58 pipes  metal
          Tremulant
Swell (58 notes - Manual III):
 16'      Bourdon                    58 pipes  Wood
  8'      Basse                      58 pipes  Metal
  8'      Flûte Boucheûe             58 pipes  Metal
  8'      Salicional                 58 pipes  Metal
  8'      Viole Céleste (t.c.)       51 pipes  Metal
  4'      Principal                  58 pipes  Metal
  4'      Flûte a Chemineûe          58 pipes  Metal
  2-2/3'  Nasard                     58 pipes  Metal
  2'      Flûte Sylvestre            58 pipes  Metal
  1-3/5'  Tierce                     58 pipes  Metal
  1-1/3'  Larigot                    58 pipes  Metal
  V'      Plein Jeu (2')            290 pipes  Metal
 16'      Basson                     58 pipes  Metal
  8'      Trompette                  58 pipes  Metal
  8'      Hautbois                   58 pipes  Metal
  8'      Voix Humaine               58 pipes  Metal
  4'      Clairon                    70 pipes  Metal
          Tremulant
Pedal (30 notes):
 32'      Contre Bourdon             30 pipes  Wood
 16'      Montre                     30 pipes  Metal
 16'      Soubasse                   30 pipes  Wood
  8'      Octave                     30 pipes  Metal
  8'      Flûte Ouverte              30 pipes  Wood
  4'      Flûte                      30 pipes  Metal
  2-2/3'  Fourniture IV (2-2/3')    120 pipes  Metal
 32'      Contre Bombarde            30 pipes  Wood
 16'      Bombarde	             30 pipes  Wood
  8'      Trompette                  30 pipes  Metal
  4'      Chalumeau                  30 pipes  Metal
Couplers:      Gt/Ped, Sw/Ped, Pos/Ped Sw/Gt, Pos/Gt, Sw/Pos
Reversibles:   Gt/Ped, Sw/Ped, Pos/Ped, Sw/Gt, Pos/Gt, Sw/Pos
               Gt reeds, Sw reeds, Pos reeds, Sfz
Mechanical key action
Electropneumatic stop action
Curved terraced console
Casework of quartersawn white oak
Walnut pipeshade carvings by the Georg Keilhofer studio of Frankenmuth, Michigan
54 stops, 74 ranks, 3823 pipes